We don’t
commonly think of the home environment as causing post-traumatic stress
disorder. But Sam Shepard’s latest play, Heartless, running at the Signature
theatre explores this theme.
Set in the
Murphy home Heartless distinguishes itself from Shepard’s other plays in the
predominance of women. Each of the five characters suffers trauma and
subsequent symptoms of PTSD. Mother Mabel is wheelchair bound, having jumped or
fallen from a pine tree after being abandoned by her husband. Her older
daughter, Lucy, is tied to her disabled mother. Her younger daughter, thirty
year old Sally, suffers survival guilt for receiving the heart of a murdered
ten–year-old girl twenty years earlier. Roscoe, a sixty-five year-old ex-marine
and child of the ‘60’s drug culture, has split from his wife of many years is
making a video with Sally. A beautiful mute nurse tending to mother Mabel
relives the murder of the heart donor, which she plays out through horrid
grimaces and blood curdling screams.
(I think that
the nurse is the incarnation of the dead girl, but this detail is open to
interpretation).
Pulitizer
Prize-winning Shepard has approached the topic of PTSD in several of his plays, including Buried Child, and
has acted in movies featuring PTSD (the 2009 movie, The Brothers, that deals
with the aftermath of war and the family). Shepard’s own father, a WWII bomber
pilot and an alcoholic, suffered from symptoms of PTSD and the playwright has
modeled characters after his father in his other plays, including Curse of the
Starving Class (1976). His work
has increased my awareness about the prevalence of post-traumatic stress
disorder. Heart transplants and military service have something in common. The
heart is drastically altered when confronted with death. This anxiety disorder
develops in some people after seeing or living through an event that caused or
threatened serious harm or death. It is characterized by:
Unwanted
memories
Bad dreams
Emotional
numbness
Intense guilt or
worry
Angry outbursts
Feeling “on
Edge”
Avoiding
thoughts and
situations that
bring up the trauma.
Before 1980,
people with PTSD were labeled as “weak” and sometimes discharged from military
service. PTSD, was officially recognized as a disorder in 1980. The Diagnostic Statistical Manual
describes the sufferer as manifesting:
“…deliberate efforts to avoid certain
thoughts, feelings, or conversations about the traumatic event and to avoid
activities, situations, or people who arouse recollections of it.”
Contrary to the
common tendency of the victim to deny the source of pain, the trauma must be
confronted. Anti-depressant medication, especially the serotonin reuptake inhibitors
(SSRIs) have been found helpful in conjunction with talk therapy.
Conclusion:
“Homelessness is the primary existential condition in Mr. Shepard’s universe,
even when you’re at home,” Ben Brantley writes (“All the Discomforts of Home,” New York Times, August 28,
2012). In the final analysis I think it’s fair to say that home is an internal
psychological state. Home lies in the heart. In Shepard’s Heartless, no one is
at home; everyone is rootless. Shepard continues to search and question and I
think, asks us to do the same. The theme is especially relevant now, the
eleventh anniversary of 9/11.